Available February 12, 2019
Gabe Maxwell is a powerhouse in the boardroom, a man with a dark past he’s buried under success and power. He’s not a white picket fence and forever kind of guy and he’s definitely not into redheads. That is until one corners him, kisses him and thanks him for waking her up. Right before she walks away and leaves him. She’s gone and he’s obsessed.
Then she walks into his office and back into his life, and he has to have her. It doesn’t matter that she’s the kind of woman you marry. It doesn’t matter that she’s everything he avoids because she’s everything he wants.
Only Abbie isn’t the good girl she seems. She has secrets and a past and soon, she’ll pull Gabe into her bed, her life, and that spells more than obsession. It spells danger.
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Available March 12, 2019
Passion. Lies. Family. Eric and Harper will feel the push and pull of a dynasty gone wrong. Secrets remain. Danger is everywhere. And the pull of a forbidden love will not be ignored.
The third and final book in the Filthy Trilogy.
Available April 23, 2019
The second and final book in the Dirtier Duet by Lisa Renee Jones.
Abbie swore that she was done with rich, powerful men. They’ve hurt her. They’ve hurt her mother, who she will do anything to protect. She’s done playing the submissive. She’s ready to fight back.
The problem is that Gabe Maxwell is one of those rich, powerful men and he refuses to be ignored. He’s in her path and she can’t seem to steer clear of him. He wants her. She wants him. But it’s not that simple.
There is more to her story, more than Gabe knows, but then, there is more to Gabe’s story than Abbie knows, too.
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A Perfect Lie
Available May 15, 2019
A spine-tingling psychological thriller from New York Times bestselling author Lisa Renee Jones writing as L.R. Jones
Narrated by the thirty-year-old Hailey Anne Monroe, this is a story of destiny. The one we all have before us. The one we can’t change. The one she stopped trying to change even if it means murder.
They say that you are not a product of the environment that you’ve grown up in, that you create your own story, tell it your way. That you get to pick your own future. They lied. If you’re honest with yourself, you believed that lie, too, like I used to, because I wanted to, and even needed to believe that I had some semblance of control over my own self. The truth is that control is part of the lie. The ability to become a person of our own making is the perfect lie. I concede that it might appear that some people control their destiny, but I assure you, if you gave me fifteen minutes, I could pull apart that façade. We are born into a destiny that we never have the chance to escape. That’s why I must tell my story. For those of you out there like me who were told that you have choices, when you never had one single choice that was your own. For those of you out there who were, who are, judged for decisions you’ve made that were directed by your destiny, not by the façade of choices. The irony of the story within this story is how one person’s predisposed destiny can impact, influence, and even change the lives of those around him or her. How one destiny ties to another destiny.
I am Hailey Anne Monroe. I’m twenty-eight years old. An artist, who found her muse on the canvas because I wasn’t allowed to have friends or even keep a journal. And yes, if you haven’t guessed by now, I’m that Hailey Anne Monroe, daughter to Thomas Frank Monroe, the man who was a half-percentage point from becoming President of the United States. If you were able to ask him, he’d probably tell you that I was the half point. But you can’t ask him, and he can’t tell you. He’s dead. They’re all dead and now I can speak.
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The Truth About Cowboys
Available August 27, 2019
I had my life figured out.
Engaged to a successful man.
About to make partner at my firm.
Bought a high-rise apartment in downtown Denver.
And then, poof, it’s all gone. Now, like in some cheesy romantic comedy, my car has broken down in the pouring rain on my way to “find myself” in The Middle of Nowhere, Texas. Cue hot guy coming to my rescue and changing my tire. This is the part where we flirt and have a meet-cute, right? That’s how it works in romance novels, and I should know—after all, I’m coming to Texas to write my own cowboy romance. But nope. This sexy cowboy lights into me about not being prepared for the country roads and how inappropriate my high-heeled boots are.
Little did I know, Michael Montgomery would tilt my world into a new dimension with his sinful smirk and his bad attitude. Every time I turn around, he’s there to reluctantly save the day. And every time, I think there may be something to that spark we ignite. But there’s a reason the majority of country songs are about broken hearts. The closer I get to this man, the closer I get to learning the truth about cowboys.
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Love Me Dead
Women are dying.
The killer wants to play a game with Lilah Love. Lilah doesn’t play games, she doesn’t submit to demands. The love of her life, her ex-lover, that isn’t so ex at all, Kane Mendez, knows that all too well, but like the hero, or perhaps criminal that he is, he’ll try to play the game for her.
But this killer isn’t playing with Kane, demanding Lilah step up or more blood will be shed. Lilah claims her role on the game board, and she’ll do it to save lives, but she isn’t happy. And when Lilah isn’t happy, someone is going to die alright, and it won’t be her fault. It will, however, be her duty.
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Also Coming Soon